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Lulu Sales Rank: Log in to rate this item. You must be logged in to post a review. Please log in. By tehpirate9. This is probably one of the better stories published by Sandy that I have read. I love the forced feminization of the main character, his gradual acceptance of his feminine life, and the eventual romance that it leads to with his long time friend, Ron.

The ONLY criticism I could give this one is the relative lack of illustrations, but that doesn't take anything away from the story. You can always let your imagination take care of that for you anyways. So if you like the boy-to-girl who then falls for a strong, male character type story, this one is a good buy for you! Spoiler alert! Author Alice Tryal writes in a cameo appearance for Sandy! Report as inappropriate.

By darkpoetshutendouji. Now this is the book style I really enjoy! It has all the elements of forced feminization and acceptance but it is under the coping skills of the person not some hypnosis session or subliminal magic. It was very well done if you like this style of book as much as I do! Thank you! There are no reviews for previous versions of this product. First Name. Last Name. Additional Comments. Moderation of Questionable Content Thank you for your interest in helping us moderate questionable content on Lulu.

How does this content violate the Lulu Membership Agreement? From our Membership Agreement "Lulu is a place where people of all ages, backgrounds, experience, and professions can publish, sell, or buy creative content such as novels, memoirs, poetry, cookbooks, technical manuals, articles, photography books, children's books, calendars, and a host of other content that defies easy categorization. Address Address is required. Phone Number. Location of Infringing Material Identify each web page that allegedly contains infringing material.

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The Boy, a Dress and His Age Verification The page you are attempting to access contains content that is not intended for underage readers. Please verify your birth date to continue. Month January February March April May June July August September October November December Day 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Year Social Facebook Twitter. There are pop hooks that grab you, and then there are hooks that strangle you and absolutely refuse to let go.

Red Velvet's "Dumb Dumb" epitomizes that latter, with the quirky quintet repeating the word "dumb" more than times throughout this single, brilliantly exemplifying why K-pop acts -- particularly the girl groups -- craft some of the most addictive singles in pop. Expose, "Exposed to Love" Expose was a pop superpower for at least one album in the late '80s, with their Exposure LP launching four top 10 hits, including the No.

The Pussycat Dolls, "Stickwitu" After zooming to No. Is this the beginning or is this the end? Sister Sledge, "He's the Greatest Dancer" Girls Aloud, "Love Machine" It's a bedroom blitz from U. What will the neighbours say? Good question, and better left unanswered. The Cake, "Baby That's Me" In which Phil Spector sidekick Jack Nietzsche tries his hand at creating his own classic Ronettes ballad -- with help from co-writer Jackie DeShannon and a superlative vocal performance from New York trio The Cake -- and damn near gets there.

Drenched in reverb and vocal anguish, "Baby That's Me" creates the same feeling of getting caught in an emotional downpour as "Walking in the Rain" -- though unfortunately, by '67, pop audiences had raised their umbrella to such Wall of Sound storms, and The Cake never even grazed the Billboard charts. In between arguably inventing rock and roll and turning his wife into one of the great pop icons of the 20th century, Ike Turner found modest chart success fashioning The Ikettes, a girl group whose biggest hit came with this hypnotically melancholy mid-tempo number. The group was short lived, but the song became a perennial, not only inspiring the sublime nonsense of Eiffel 65's only U.

Besting "Wannabe" would quickly prove impossible, but the Spice Girls still managed to shoot off one of the best girl group songs of the '90s with the lead single to second album Spiceworld. A call for global unity emphasized by the fact that all five women sing the chorus simultaneously that stuffs an entire aural carnival into , the song has an unquenchable energy thanks to its joyous samba rhythms and irresistible "Hai, si, ja" refrain — which means "yes" in Japanese, Spanish and German, respectively.

Over a James-produced, bass-plucked confection, the group harmonizes while stylishly anticipating an R-rated night with a romantic interest. An African-American girl group made up of high school students from the Bronx, The Chantels weren't given many avenues to succeed in the late '50s, but nevertheless scored a chart hit with "Maybe," one of the girl group genre's first classics. That trick of marrying vocal resolve to tragic subject matter would be repeated on countless such classics to come. A song that embodies why the K-pop scene is as creative as it is weird, experimental outfit f x blended samba-inspired production, alien-like harmonies and the melody of a famous Christmas carol for what turned out to be a huge hit.

The ladies blend mysterious coos and energetic raps to compare their dating style to pushy wisdom teeth, all while playing with rhythm and vocal tempos, resulting in one of the many standout tracks on their beloved Pink Tape album from The song still captivates another 20 years later, proving a highlight of Xscape's much-anticipated reunion medley at the BET Awards.

Fifth Harmony, "Sledgehammer" Yet the girls of 5H sell their tale of unsaid infatuation with dedicated melismas and gooey production. Nobody in pop history has ever "whoa-oh" ed quite like Ronnie Spector, and likely the finest utterance of her signature non-verbal came as the lead-in to the thundering drums and and bellowing winds of "Baby I Love You. Blaque, "Bring It All to Me" Dixie Cups, "People Say" Those damn sideline haters, always providing their unsolicited sniping as to why girl group romances won't last -- The Dixie Cups don't wanna hear it, and on "People Say," they shake 'em off in exhilarating fashion over a snapping beat, declaring "I don't really care what the people say.

Jade, "Don't Walk Away" The Shangri-Las were so deliriously in love on "Give Him a Great Big Kiss" they had to invent a new spelling for the word, all feet- and heartbeat-skipping giddiness as they plant one of the loudest smooches you've ever heard on their be-luv-ed.

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  8. It sounds so friggin' good that the backing vocals keep insisting "tell me more, tell me more! The tragic death of Simone Battle ended the promise of five-piece girl group G. The Cover Girls, "Show Me" One of the earliest and finest crossover hits of the freestyle era, the sparkling "Show Me" demanded love and respect through its vocals and sonic irrepressibility.


    The Pointer Sisters, "Fire" Bruce Springsteen was one of the biggest girl-group devotees of his era, so it's no surprise that he gave back to the tradition by giving this ever-so-slow-burning classic to the Pointer Sisters. All Saints, "Never Ever" The Sugababes, "Freak Like Me" Not like Adina Howard's standard-setting G-funk'n'B '95 smash left room for improvement, but there was still space for reinvention -- provided here by producer Richard X's sample of Tubeway Army's sci-fi synth-pop classic "Are 'Friends' Electric?

    In the trio's hands, "Freak" saw its sultriness replaced by gleaming futurism, proving a near-decade before Robyn that fembots needed loving, too. The Shirelles, "Mama Said" Wonder Girls, "Nobody" Musically, the track is an infectious, Motown-inspired earworm that encapsulated Wonder Girls' charming penchant for throwback-inspired concepts -- this time embracing girl groups of the '50s and '60s -- and undeniable hooks the hand-clapping on the chorus is incorporated into the song's iconic dance.

    TLC, "No Scrubs" Pioneering trio TLC had always woven messages of empowerment into their music, since debuting in with Ooooooohhh On the TLC Tip. En Vogue, "Free Your Mind" Like to hear it? The riffs and cowbell still knock a quarter-century later, but not as hard as the group's lacerating vocals, addressing any number of still-extant concerns of racial, sexual and demographical bias, and dismissing them all with a viciously disappointed " Don't be so shallow. Danity Kane, "Damaged" Pretty well, turns out, as the stunning don't-do-me-like-that missive became a Hot top 10 hit, helped make sophomore album Welcome to the Dollhouse the group's second straight number one, and reintroduced mentor Diddy to his early role of hype-whisperer, intoning with unusual gravity over the song's outro: " This too shall pass.

    Hot No. The structure would prove enduring: Five years later, the group's boy-band successors at Motown would also hit No. Vanity 6, "Nasty Girl" Dream, "He Loves U Not" Dream weren't the most overpowering of vocalists, but they certainly got the point across on the immaculate chorus, finishing their own "He's into what he's got The Tammys, "Egyptian Shumba" A surreal narrative of a dream where "way down in Egypt land, our mummies took our hand," "Egyptian Shumba" missed the charts but guaranteed its place in the cult canon by virtue of sheer insanity.

    The song's woozy harmonies and delirious, exotic instruments are quickly overtaken by shrieking, chanting and grunting from the seemingly possessed Tammys, who successfully combined musical kitsch with unhinged screaming 15 years before the B's' debut. Little Mix, "Black Magic" Dixie Cups, "Chapel of Love" A song that will live as long as people are getting ma-a-a-ried in indoor Christian buildings of worship, anyway , "Chapel of Love" thrives with a sing-song chorus that turns a vow of eternity into a veritable day at the beach. You could say that the Dixie Cups showed their youthful naivete in singing of marriage as the permanent end to all personal problems "And we'll never be lonely anymore!

    Girls Aloud, "Biology" Girls Aloud should have been enormous in the States; by extension, multiple Girls Aloud singles should have been inescapable in the U. Look no further than "Biology," one of the most fascinatingly structured girl group songs ever. Constantly building and re-shifting until Nadine Coyle emphatically declares "You can't mistake my biology!

    The Crystals, "He's a Rebel" With three words, The Crystals -- well, t echnically The Blossoms , but who's counting -- set up ther romantic archetype that would pervade the rest of girl group history, establishing the bad boy as the forever object of good-girl obsession. Within a few years, The Shangri-Las were hooking up with a motorcycle gang leader , Martha and the Vandellas were idealizing their Wild One , and all was right with the world.

    It took the star power of the Dolls, a singing group that started as a burlesque act, to get it all the way to No.

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    Martha and the Vandellas, "Dancing in the Street" The Chiffons, "One Fine Day" The Shangri-Las were one of the most ambitious girl groups of their era, with their big hits miniature melodramas that invited time-signature changes, seagull samples, and all sorts of gadgetry that Phil Spector and the Beatles would get the real credit for. It's all about girl power, of course, with the Spice Girls donning action-film alter egos in the "Say You'll Be There" music video and kicking ass while forever having each other's backs.

    Underneath the bubblegum melodies, however, is a daring bit of almost Dr. Dre-like '90s G-pop production -- and hands up if you expected the harmonica solo disrupting the back half of this one the first time you heard it. The Angels, "My Boyfriend's Back" Originally intended for The Shirelles, the sparse, sneering demo from The Angels was strong enough to release as an official single and top the Hot Like so many '60s girl group classics, half the fun of this one comes courtesy of the backup singers, whose taunting vocals inform a certain cad he's about to get his ass whooped for spreading lies about a girl -- now that, you know, her boyfriend's back.

    The deliciously braying "hey-la, hey-la"s take center stage, but shout-out to lead singer Linda Jansen for imbuing the lyric "He's kind of big, and he's awful strong" with enough pheromones to give the G-rated lyrics an NC17 subtext. The best thing about the "I'm So Excited" music video, filmed and released in disco's waning moments in , is the ending: the dance party that the Pointer Sisters are leading simply does not end, as the attendees dance away out of the shot, seemingly leaving the club to go wreak joyful havoc in the streets.

    That's the type of persistence that "I'm So Excited" still packs, 35 years later -- whenever its pristinely contained craziness is heard, it's hard to shake the giddiness even as the music fades out. The Marvelettes, "Please Mr. Postman" Girls' Generation, "I Got a Boy" For years, Girls' Generation not only ruled Korea's girl-group scene but the country's entire zeitgeist, earning a string of No.

    While the single still divides some listeners for not being as easy to swallow as effervescent GG classics like "Gee," "Oh! It remains a jukebox favorite in the former steel town. The Motown songwriting-production team Holland-Dozier-Holland gave the label some of its best material, including this Hot No.



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